Noita is in These Lists
In addition to the similar games listed above, which have been linked to this game specifically in the database, you may find games with a similar theme to Noita in the following lists:
Eggplant: The Secret Lives of Games
, is a podcast that offers a candid conversation with game creators that dives deep into the art, craft, and process of making games. It's an amazing insight into the mind of people who understand and highlight how game/play mechanics can do unexpected, magical and surprising things.
This is the list of games they have picked as their Game of the Year 2018-2021. These awards also include board games, escape rooms and game-like TV series. We have included video games here, where we have them on the database. (And in many cases have added video games to the database after listening to the show.)
It's hosted by:
Nick Suttner, an independent game writer/designer/consultant, who has worked on games like Celeste, Bloodroots, and Carto.
Andy Nealen, a game creator and scholar, artist and music maker, architect and structural engineer, and professor of cinematic arts and computer science at USC.
Sarah Elmaleh, actor, consultant and event organizer with a passion for collaborative creation - both as a seasoned performer and as an advocate for best practices in the games industry.
Zach Gage, who makes deep games that are easy to get into, like Really Bad Chess and SpellTower.
Douglas Wilson, who is a co-owner of Die Gute Fabrik, a games studio based in Copenhagen, Denmark. He has worked on Johann Sebastian Joust, Sportsfriends, and Mutazione.
Laura E. Hall, is an an artist, writer, puzzle-maker, immersive environment and narrative designer focusing on the playful intersections of arts, culture, and technology, especially in gaming.
The team is usually joined by Laura E. Hall for the game of the year episodes. She is an artist, writer, puzzle-maker, immersive environment and narrative designer who focuses on the playful intersections of arts, culture, and technology, especially in gaming.
Studies show that for inhabitants of the western world, life in the modern age has gotten progressively less dangerous and more comfortable with each passing generation. So why as parents do we all seem so afraid for our children? And how do we overcome this fear and let our kids take the necessary risks they need to take in order to thrive?
This is a list of games we have created with Digital Media Wellness Educator, Julia Storm
, who founded ReConnect with the mission of providing parents a whole child approach to preparing kids for life in the Digital Age.
We are used to encouraging our children to take small risks in most areas of life; talking to a new child at school, trying out for a team or the school play, climbing a bit higher at the playground or walking to the market on their own for the first time. With every risk our children take they gain confidence in their own ability to navigate the unknown and to push themselves through difficulties.
But many of our kids also spend large amounts of time online and specifically playing video games. In this space, with horror stories in the press, both parents and children can become risk-averse. This can mean that children don’t have a chance to make healthy mistakes in safe ways in this part of life.
There’s an opportunity here for parents to leverage video games to help kids take safe risks and to learn and grow from these risks. This isn’t about using games as a safe version of risk-taking in real life, but discovering how they can be a wonderful compliment to this. (We also want to note, as with all multiplayer games, parents should be sure to talk to their children about best practices for staying safe when it comes to communicating with strangers online._
Collaboration: This might be working with another child in Minecraft
to build something together. Or maybe playing Animal Crossing
with someone who is new to the game and needs help. Or even, just allowing other players to help you in a game like Farm Together
Generosity: This might be giving new players items they need to get started in a game like Adopt Me. It could be sharing some candles in Sky Children of Light. Or maybe it’s just letting a new player get a win in Drink More Glurp. This might be playing a game where you are rescuing another character, like Ico.
Ambition: This might be trying to play a game that seems too difficult, like Stormworks or Rocket League. It could be trying out a more mature game with a parent, like Spider-Man or Horizon Zero Dawn. It could be teaming up with friends for large challenges in Sea of Thieves or Dauntless. Or maybe dealing with real physics in Teardown or Noita.
Identity: This might be working out mental health scenarios in a game like Psychonauts 2. It could be learning to help others with their fears and anxiety in Rainbow Billy. Or maybe playing a game like Celeste that creates space to consider gender and self-doubt.
Playing these games with your child offers a unique way to start open and curious conversations about technology while they are still young and receptive. They are an opportunity for parents to be allies and mentors, not adversaries and monitors.
The Digital Futures Commission's A Vision of Free Play in a Digital World report
that outlines the key qualities of "free play" for what "good" looks like in a digital world. The team from 5 Rights Foundation and Digital Futures LSE set out ambitious expectations for children’s free play in all contexts. To claim the label ‘Playful by Design’, digital products and services should adopt seven principles:
Be Welcoming: Prioritise digital features that are inclusive, sociable and welcoming to all, reducing hateful communication and forms of exclusion and reflecting multiple identities.
Enhance Imagination: Prioritise creative resources and imaginative, open ended play over pre-determined pathways built on popularity metrics or driven by advertising or other commercial pressures.
Enable Open-Ended Play: Provide and enhance features that offer easy-to use pathways, flexibility and variety as these support children’s agency and encourage their imaginative, stimulating and open-ended play.
No commercial exploitation: Reduce compulsive features designed to prolong user engagement or cultivate dependency on games, apps or platforms, so children’s immersive play is intrinsically motivated and freely chosen.
Ensure safety: Ensure children’s play in online spaces is safe, including by giving them control over who can contact them and supplying help when needed.
Allow for experimentation: Recognise that exploration, invention and a degree of risk taking is important in children’s play and that the burden should not fall on them always to be cautious or anxious, or to follow rules set by others.
Be age-appropriate: Respect the needs of children of different ages by providing age-appropriate opportunities for play, while also allowing for safe intergenerational play.
I asked Sonia Livingstone, lead researcher and report author, whether there were many games that already met this criteria. "Children bring a lot to their play that for them is imaginative and sociable. Where it's more difficult is in the voluntary and intrinsically motivated play. Games very rarely leave children to play at their own pace and rate. The freedom for risk taking is sometimes present but here, children themselves take on the safety burden from society at large and limit play themselves."
Inspired and challenged by the report, we searched our database to identify games that came closest to meeting these high standards. Like the report, this aims to concentrate energy on identifying opportunities for free play that should be enriched and expanded to make play online more child-centred.
In the report, children identify their need to play in ways that perhaps adults don’t understand or that some digital designs deny. They don't want a completely "whole-food experience", nor to turn back the clock to an offline world. They want digital products designed to enhance the qualities of play and at the same time want those aspects of design that are exploitative or invasive to be dialled down.
Examples on this list include playful offline video games. Games like Lonely Mountains Downhill
and Microsoft Flight Simulator
offer open-ended play where you can go where you want and make your own fun. Spelunky 2
, Mini Metro
enable free-play that is intrinsically and experimentally motivated without commercial exploitation. Then games like A Short Hike
and Wilmot's Warehouse
offer play that is welcoming for newcomers and specifically age appropriate. Risk taking and rule breaking play that doesn't become a burden on the child is found in games like Untitled Goose Game
and The Longing
Examples on this list also include playful online video games. Games like Journey
and One Hour One Life
offer a welcoming experience by encouraging (in some cases requiring) other players to help newcomers. Phantom Abyss
offers an unusual competitive play space that celebrates experimentation and is safe by design through minimal communication. Sea of Thieves
offer age appropriate play for older teenagers that is built around experimentation and discovery through risk taking that is lead by imagination. Stormworks
combines open ended play like Minecraft
, but offers a context more age appropriate to ambitious teenagers through its float-mechanics and boat design. Sky Children of the Light
combines many of the criteria, offering a welcoming experience for newcomers, imaginative play. It subverts the commercial feel of other app games by focusing purchases on items that are primarily to give away to other players.
Independent Games Festival (IGF)
was founded in 1998 to promote independent video game developers, and innovation in video games. It cultivates innovation and artistry in all forms of interactive media. This aims to uncover how games are rich, diverse, artistic, and culturally significant.
It chooses games in a series of categories: Grand Prize, Innovation, Visual Art, Audio, Design, Technical Excellence, Best Mobile Game and Audience Award. This list highlights the games that were nominated and/or won.
How hard a game is considered to be depends on who is playing it. A three-year-old tackling Zelda will struggle. But equally a new-to-games-parents will find Mutant Mudds
quickly gets beyond them. The games in this list are known for being difficult. They wear the difficulty as a badge of honour. "None shall pass," except this with the will, time and belligerence to get good enough at this particular activity to beat the high bar the game sets.
This might be grappling with the flying mechanics in Rocket League
, getting endlessly lost trying to find the next guardian in Shadow of the Colossus
or coming up with the right tactic to get enough money for the ship you need in Elite
. Of course, some of these games can be made easier, but to play them at their best is to ramp up the difficulty to max (crushing on The Last Of Us
for example) and let them give you all they've got.
Video games where you adventure into a harsh setting, try your hardest to survive and slowly develop your abilities but then inevitably die are often called Rogue-likes. This is because one of the first games that offered this style of play was called Rogue.
These are interesting games for families, not only because their difficult nature leads to shorter sessions, but also because they foster perseverance and coping with losing. After dying you are sent back to some sort of central village where you can choose upgrades for your next attempt. The incentive to play again once you have been killed is usually that you start with some more equipment or skills.
In this way, by belligerence and a slowly learned understanding of how the game world works and how best to survive, you incrementally get a bit further each time you play. Here are some really good roguelike games for families:
Video games and toys are two separate things in a child's life. Online and in stores they are sold separately. At home, however, children will move from toys to video games without such strong distinctions. This list draws together all the games that cross over with toys in this way.
Very young players are often drawn to games with toy-like play. Whether Toca Boca
or Sago Mini
offer video game interactions but without missions, tasks or scores. They are games that create space, characters, locations and items for children to make up their own fun.
Then there are games that import physical toys into the play-process of the game. Sometimes this is to have a figure unlock items and save progress like in Skylanders
or sometimes this is to create new ways to interact like Tori
, Hotwheels id or Anki
Whether it’s a simple puzzle grid, a battlefield or a universe of planets to visit, all games create virtual spaces in which to play. Some of these are simply the background to a campaign - the game’s unfolding drama, missions or challenge. But others invite you to invest in the worlds they create, move in, tend to and inhabit in fantastical ways.
The games in this section invite you to spend time in spaces that have a sense of place, life and character. Worlds that hold history and lore in their landscapes, flora, fauna and inhabitants; environments that respond to your presence and invite you to restore them to their former glory.